Professor Emerita, Asian and Middle Eastern Studies, UNC Chapel Hill

Tag: Kyoto (Page 3 of 3)

Maiko Manners:  Bowing to the Telephone Pole

Boudewijn Huysmans
Unsplash

Bow— even when you see a telephone pole.

電信棒見ても、おたのもうします。

Respect for hierarchy forms the bedrock of  maiko manners. When she encounters any of her superiors, geiko or senior maiko on an afternoon walk, for example, the maiko must stop, bow, and greet the other. Being in a rush is no excuse to forego this ritual.

This behavior becomes so ingrained that, as the saying exaggerates, the maiko will even accord a telephone pole the same respect since it is “higher” than she.

The maiko, using the hanamachi dialect, humbly requests the other’s favor or guidance. Otanomō shimasu. One of the first phrases she learns as a trainee.

Professor Kumiko Nishio, who researches maiko training, explains how the greeting ritual benefits the brand-new trainee (18-21).  Too new to her hanamachi to know its community members well, the trainee must make a favorable impression on all she meets. Whether or not she knows them yet.  After all, these elders can positively influence her career, recommending her for parties and other assignments. Conversely, ignoring greetings would be a sign of disrespect.

Only in Kyoto?

It’s tempting to consider this emphasis on formal greetings a quaint custom of the hanamachi. But I remember many years ago hearing an American university leader advise assistant professors concerned about gaining tenure in the U.S.  He urged them to get in the habit of greeting their department colleagues. Worried, one young person asked, “But what can I do?  My office isn’t even in the same building as my department.” The leader responded, “Then, go to the department every day to check your mail. Greet people. Make yourself known.”

Even when you see a passing car with your superiors aboard…..

Sometimes signs of respect in the hanamachi can be taken to comic extremes. Kiriki Chizu, a maiko in the late 1960s, recalls repeatedly being told, “Don’t forget your greetings even when you see your sempai geiko in a car coming down the road (32).”

Once, completely unaware, she failed to heed this advice.

Photo by Jie on Unsplash

She did not notice the car with her geiko colleagues aboard.

An offended geiko swiftly complained to Kiriki’s elder sister, who scolded her.  Kiriki knew it was useless to explain how the light shining on the car windows must have prevented her from seeing who was inside. This “excuse” would not work in Gion and she had to apologize to the geiko, promising to take more care in the future.

As a retired geiko, Kiriki tries not to place maiko and young geiko in tricky greeting situations. Many may get the sense when they see her walking in the hanamachi that she is somehow connected to the community. Not knowing the retiree’s name or position makes them uncomfortable, unsure of what to do. Kiriki tries to put them at ease by avoiding  meeting their eyes and simply walking on. They seem relieved.

When in doubt— bow.

References:

Kiriki Chizu. Aisare jōzu ni naru Gion-ryū: Onna migaki [The Gion way to skill in becoming loveable: A woman’s polish]. Tokyo: Kōdansha, 2007.

Nishio Kumiko.  Maiko no kotoba: Kyoto hanamachi hitosodate no gokui [Maiko language: Training secrets from the Kyoto hanamachi]. Tokyo: Tōyō Keizai Shinpōsha, 2012.

Jan Bardsley, “Maiko Manners: Bowing to the Telephone Pole,” janbardsley.web.unc.edu. March 5, 2021

I designed this website and blog for educational and informational purposes only. I strive to  locate the names of the creators of texts and images cited, and properly acknowledge them.

Welcome to my blog

Solar Dolls. ”We bow with solar power.”
https://store.shopping.yahoo.co.jp/tennmaya/303-010.html

Welcome to my blog

Happy Girls’ Day!  Celebrated in Japan on March 3 with displays of dolls representing the ancient court,  Girls’ Day features special foods, too. Now there’s even a KitKat bar flavored like “strawberry daifuku” (mochi balls filled with strawberries), a Girls’ Day treat.

 

For my Girls’ Day celebration, I’m choosing to display solar-powered maiko dolls.  The dolls capture the playful spirit of maiko souvenirs. Solar dolls coax you to relax, smile, and show your childlike side. The perky solar maiko atop my desk reminds me to have fun with this blog.

Toy maiko solar

Solar maiko  also calls to mind the associations of “solar power” and feminism in Japan. In 1911 when Seitō (Bluestockings) burst on the scene, it’s rallying cry became, “In the beginning, woman was the sun.”

Manga artist Takenaka Ranko’s 1996 graphic history of the Bluestockings and leader Hiratsuka Raichō

Produced by young Japanese women in Tokyo, Seitō invited women to seek adventure and expand their boundaries, even as they advocated for education and equality.

My blog follows these twin trajectories, having fun while expanding knowledge. I begin with posts about maiko, Kyoto’s apprentice geisha. Researching my book Maiko Masquerade, I ran into lots of stories about maiko and geisha past and present, about art and objects, books and movies, people and places. I’m writing this blog to tell these stories, the comic and the serious, and share images. Let’s see where this solar-powered path goes.

I look forward to your comments. Happy Girls’ Day and thanks for visiting.
Jan Bardsley.

Jan Bardsley, “Welcome to my blog,” janbardsley.web.unc.edu. March 3, 2021

I designed this website and blog for educational and informational purposes only. I strive to  locate the names of the creators of texts and images cited, and properly acknowledge them.

 

 

 

Celestial Rescue for the Anxious Maiko

Closing her eyes, she clasps her hands. The maiko prays before the Shinto shrine. Her silver kanzashi hair ornament glitters. But her anxious posture shows how much she wants the kami to hear her plea.

Who is this anxious maiko?
Why does she pray for celestial comfort at this shrine?

The maiko is Yumehana (given name Nozomi), the TV drama is Dandan, and her anxieties center on dance. It has been a tough day.  First, we saw Yumehana’s dance teacher harshly correcting her at the morning lesson. Next, we saw Yumehana’s rival, maiko Suzuno, taunting her at the evening party. Wickedly clever, Suzuno even maneuvered Yumehana into performing her weakest dance in front of clients at the party.  Desperate to improve her dance skills —the maiko’s signature art—Yumehana makes her plea at Tatsumi Daimyōjin Shrine辰巳大明神神社.

Tatsumi Daimyōjin Shrine, petite and unassuming, sits right at the heart of Gion’s most photographed, picturesque location.

You will find the shrine at the foot of Tatsumi Bridge which spans Shirakawa (White River), a gentle stream. Old teahouses on one side of Shirakawa amid weeping cherry trees make this a picturesque sight. One of the most photographed in Kyoto, the scene calls to mind romantic notions of Gion’s past.

Photo of bridge over Shirakawa stream in Gion.

Taken on 26 July 2010. Credit gorian21  Wiki Commons.

But what attracts maiko Yumehana here to pray for dance proficiency? 
A little digging produced two important clues.

First, we learn that the kami of the shrine is Benzaiten 弁財天, who is “a deity highly popular among artists and musicians, as a patroness and guardian deity of the arts (Reader).”

Wooden sculpture of the goddess Benzaiten at the Hogon-ji Temple. Watsky, A. M. (2004).  Wikimedia Commons

Originally a Hindu deity, Benzaiten, also known as Benten, has found homes in Japan in Buddhist temples and Shinto shrines alike. She’s also one of the Seven Lucky Gods, “a multicultural, mixed gender, and religiously diverse group of deities who share the common cause of providing benefits to people (Reader & Tanabe,157).”

 

Next, we find that the sound “tatsu” in Tatsumi reminds us of the verb tatsu, “to improve one’s skill.” In fact, maiko and geiko really do pray for arts improvement at Tatsumi Daimyōjin Shrine, invoking Benzaiten’s blessings to “improve” their arts.

But Dandan does not leave everything up to Benzaiten. 

When Yumehana’s mother, the successful geiko Hanayuki, catches sight of her daughter, viewers see her empathy. Hanayuki remembers battling the same anxiety in her own maiko days.  But she faces Yumehana with practical advice and parental tough love, “Well, if that’s the case, then there’s nothing else to do but concentrate on your lessons every single day.”

The scene underscores one of the prime messages of Dandan—struggle against insecurity and work hard at achieving your goals.

Setting this exchange at Tatsumi Daimyōjin Shrine, Dandan acquaints viewers with this small Gion landmark, inviting us to find out about its history and the celestial comfort it offers to townspeople and artists alike.

Visitors to Kyoto can easily find Tatsumi Daimyōjin Shrine on tourist maps of the Gion. Shinto ceremonies are performed at the shrine four times a year by a priest from the much larger Fushimi Inari Shrine.  The petite shrine is especially beautiful in spring when nearly covered by the weeping cherries.

Featured Image:  Maiko Yumehana photographed near Tatsumi Daimyōjin Shrine. NHK TV Guide to drama Dandan, 2008.  Japan Broadcasting Publishing Association.

References:

Gion Shopping Street Promotion Associates  祇園商店街振興組合  Japanese-language website: https://www.gion.or.jp/about/

Ian Reader. 2008. Shinto. Simple Guides series.  Kuperard.

Ian Reader and George J. Tanabe. 1998. Practically religious: Worldly benefits and the common religion of Japan. Honolulu: University of Hawaiì Press.

Jan Bardsley, “Celestial Rescue for the Anxious Maiko.” janbardsley.web.unc.edu  Sept. 29. 2020
This blog is for educational purposes only. I strive to locate and credit all sources and images cited here.

 

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