Gifts of Pink Carnations to Hanamachi Mothers
Mother’s Day in Japan takes place on the second Sunday in May. The hanamachi celebrates this custom, too. Maiko and geiko honor their hanamachi “mothers”—the managers of okiya and ochaya as well as their teachers—by presenting them with bouquets of pink carnations.
The Maternal Role of Hanamachi Mothers
Certainly, the hanamachi could not survive without its mothers. They are its main business leaders, curators of tradition, and teachers of the next generations of maiko and geiko. As I discuss in Maiko Masquerade, popular guides and fiction on the hanamachi praise okiya mothers (okāsan) for embracing a maternal role.
Fictional mothers, such as the okāsan of the Ichi okiya, depicted (left) in Koyama’s popular manga, nurture with affection, advice, and admonishment. Actual mothers portray their roles similarly. Masuda Kazuyo, one Pontochō mother remarked, “Unless you think of them as your own children, you cannot raise [a maiko]. It truly warms my heart when even those who have left Pontochō to marry come back for
a visit, still calling me “Mother” (Interview with Kyoko Aihara, 2012).
What’s the history of Mother’s Day in Japan?
This attention to Mother’s Day in the hanamachi makes me curious about the holiday’s origins in Japan. Historians have written at length about its connection to American influence, militarism, and commerce. Here are just a few highlights.
It was American missionaries who introduced Mother’s Day to Japan. In 1931, the Ministry of Education formed the Greater Japan Federated Women’s Association (Dai Nihon Rengo Fujinkai ). At that point, the Association rebranded Mother’s Day as a celebration of the March 6th birthday of Empress Kojun (1903-2000). In the postwar, however, as Hiromi Tsuchiya Dollase explains, Mother’s Day was “re-introduced as a Western holiday” (89). Dr. Dollase points to the cover of the girls’ magazine Shōjo no tomo (43, no. 5, 1950), featuring “Japanese Little Women,” which “explains how the Nishikawa family spent their Mother’s Day” (90). Four smiling girls in western dress surround their mother, who wears kimono, as she opens a present.
Mother’s Day Carnations in the Hanamachi
In 2004, photographer Mizobuchi Hiroshi captured kimono-clad maiko and geiko carrying gift bouquets of pink carnations in the Miyagawa-chō hanamachi. He remarks that the practice took hold in the hanamachi, but does not mention when or why (24).
Given the importance of okāsan leadership in the hanamachi, it is little wonder they are honored on Mother’s Day.
References
Kyoko Aihara, Kyoto hanamachi: Maiko to geiko no uchiake-banashi [The Kyoto hanamachi: Frank talk from maiko and geiko]. Tokyo: Tankōsha, 2012.
Hiromi Tsuchiya Dollase, Age of Shōjo: The Emergence, Evolution, and Power of Japanese Girls’ Magazine (SUNY Press, 2019).
Mizobuchi Hiroshi, Hannari to: Kyō maiko no kisetsu [Elegance: Kyoto Maiko Four Seasons] Kyoto Shinbun Shuppan Sentā, 2004.
Jan Bardsley, “Maiko celebrate Mother’s Day in the Hanamachi,” janbardsley.web.unc.edu, May 9, 2021.
Hanamachi Mother “okāsan” is the only and one for each maiko and geiko. We call “onēsan” for elder geiko even if she is older than okāsan. Therefore, the word “okāsan” makes a special relationship between them.
Thanks, Haruka. Thinking about mothers in maiko dramas reminds me of the NHK morning drama Dandan. The two aged matriarchs–the rural grandmother in Matsue and the Gion “okāsan” — are both formidable. They provide the moral compass for their families. Despite their different environments, both women emerge as powerful, beloved leaders. [Even if the drama doesn’t include Moher’s Day 🙂 ]. I enjoyed your comment! Jan